Category Archives: Announcement

Endorsement – SuperCollider for the Creative Musician

I wrote a book endorsement for SuperCollider for the Creative Musician by Eli Fieldsteel

SuperCollider for the Creative Musician teaches how to compose, perform, and think music in numbers and codes. With interactive examples, time-saving debugging tips, and line-by-line analysis in every chapter, Fieldsteel shows efficient and diverse ways of using SuperCollider as an expressive instrument. Be sure to explore the Companion Code, as its contents demonstrate practical and musically intriguing applications of the topics discussed in the chapters.

The endorsement had a word count limit. This book deserves a more detailed review. I agree with Fieldsteel’s statement in the Introduction that the book is a  “tutorial and reference guide for anyone wanting to create electronic music or experimental sound art with SuperCollider.” Musicians, media artists, and programmers will learn the fundamentals and practical applications of SuperCollider by reading the book from cover to cover. I especially recommend this book to musicians seeking the connection between creative coding and their artistic practice. Electronic musicians learn to express musical ideas in numbers and symbols when they code music.  Coding trains users to think of music differently as a result, and the author does an excellent job of teaching how to do so. 

Fieldsteel’s expertise in composing, performing, and teaching SuperCollider for over a decade is evident in every chapter. The author correctly anticipates common beginner challenges and provides the most efficient solutions. I love Tip.rand sections dedicated to troubleshooting and debugging. They are essential in increasing productivity and decreasing the frustration of learning a new environment. The book’s biggest strength, as demonstrated in Tip.rand, is its accessibility. The language, style, and examples do not assume that the readers have previous programming, music synthesis, or audio engineering experience. Included figures, tables, and example codes are also effective and pedagogical. I was happy to see that the printed codes’ font is identical to the default font of SuperCollider IDE.  It reconfirms the author’s effort in creating inviting chapters to learn a language with a considerable learning curve.  

I spend the first month of my SuperCollider class helping students overcome the initial steep learning curve. The book will dramatically reduce the time and frustration of going over that hump. I don’t think other existing SuperCollider resources will help as much as Fieldsteel’s book for that purpose.

2024 Presentation Proposal

I am looking for opportunities to share my music in 2024. I will be on sabbatical next year and wish to do concerts, lectures, workshops, and short-term residencies. I can provide the following types of presentations.


Solo concert of electroacoustic music. Here is a link to a recent 40min set

A concert consisting of solo works and electronic music ensemble pieces. I can teach participants a couple of laptop ensemble pieces in a 2-hour rehearsal. Then the performers and I can do a concert. Performers do not need to have previous experience in electronic ensemble performance. Here is a link to possible electronic ensemble pieces

Workshop on SuperCollider, electronic ensemble, or no-input mixer. Participants will need to bring their laptops (Mac or PC). I will provide the rest of the gear.

Guest lecture on electroacoustic music practices. Below is a list of guest lectures in the past three years.

  • Indiana University- Purdue University Indianapolis, IN (2020)
  • SPLICE Institute, Kalamazoo, MI, Online (2020)
  • Georgia Southern University, Statesboro, GA, Online (2020)
  • Korean Cultural Society of Boston, MA, Online (2020)
  • University of Aberdeen, Scotland, Online (2020)
  • University of Connecticut, Storrs, CT, Online (2020)
  • University of Nebraska Omaha, NE, Online (2021)
  • 6 Improv Clinics Live by Domino Ensemble, Online (2021)
  • American Composers Forum, Philadelphia, PA, Online (2021)
  • Arkansas School for Mathematics, Sciences, and the Arts, AR, Online (2021)
  • George Washington University, DC, Online (2021)
  • SPLICE Institute, MI, Online (2021)
  • University of North Texas, TX, Online (2021)
  • Young Dancers Initiative, MI, Online (2022)
  • Michigan State University, MI (2023)
  • Nief-Norf Summer Festival, Knoxville (2023)


Let’s talk if you are interested in hosting me during Jan-Jul of 2024. I can drive anywhere within a 10-hour radius of Detroit and would also be happy to fly. I would appreciate any assistance in covering the travel cost. Please forward this message to the fitting venues, festivals, and music schools.

Fan Art – Album Link

Fan Art is now available on major platforms. For a comprehensive list of distributors, visit https://noremixes.com/nore048/

At a solo concert last night, I promoted Fan Art for the first time. As you can see in the picture, it felt awesome.

photo by David McCarthy

I will write more about each track in the following weeks. Go listen to the album!