Tag Archives: composition

Music For Dance

I have been writing and performing electronic music for dance for more than a decade. I learned so much from choreographers, and I look forward to working with them more in the future. Here’s a documentation of my music for dance so far.

Improvisation with Megan Bridge at Philadelphia City Hall (2012)

My dance collaboration started as an improviser. Megan Bridge of the Fidget and I met in Philadelphia, and we had many improv sessions. May sessions I had with the dancers during my Philly years (2008-2014) made me a better musician and listener. Below is another improvisation project with Erick Montes, Eunjung Choi, and Guillermo Ortega Montes.

The strangest thing (2014)

When I moved to Oberlin, I was fortunate to work with Holly Handman-Lopez. I was involved in producing an evening-length show about the woman suffrage movement. My role was to compose music with a short deadline and multiple changes/edits. I learned how to communicate with choreographers and dance production staff. Unfortunately, I do not have footage of the actual performance, but below are a promo video (with someone else’s music) and a recording session of a piece used in the show.

In Detroit, my current stomping ground, I continue to work with the dancers with different roles. In 2021, I worked with IS/LAND as a technologist. I provided an electromagnetic instrument that made sounds as the dancers approach an object. I was happy to be a part of a production as non-composer or non-performer (but still as a musician)

Invisible Embrace by IS/LAND (2021)

Last April, Biba Bell and I collaborated to make a 60min site-specific piece for dance and electronic ensemble. My job was to make music and direct an ensemble consisting of nine electronic musicians. It was the largest work I have ever worked on in terms of the number of people involved. The documentation of the work was also excellent.

A Dream Is A House for remembering the future (2022)

My most recent collaboration is with Joori Jung of Artlab J. Through this collaboration, I worked with a Pansori singer to compose a 20min music. The collaboration also took me to a new stage. I never thought my music was going to be on an Asian Culture Showcase! The video documentation is on the way, but here are pictures of the rehearsal.

Dance and music are time-based arts, and dancers and musicians learn from each other. I am grateful that I had opportunities to work with excellent choreographers and improvisers. I look forward to doing more projects with movements! I am not a dancer myself, but I am studying the relationship between movement and sound. Check out the video below!

update: 11/25/2025

Here’s my recent work with Biba Bell. More info is on a separate blog.

update: 2/16/2026

Breathing Land, a dance collaboration with Artlab J, is now available online to watch. Here’s a blog about it.

A DREAM IS A HOUSE for remembering the future


A DREAM IS A HOUSE for remembering the future from Biba bell on Vimeo.

A DREAM IS A HOUSE for remembering the future, created in collaboration by Biba Bell (Dance) and Joo Won Park (Music), is an hour-long immersive performance created for twenty-one Wayne State University (WSU) dancers and the WSU Electronic Music Ensemble in Minoru Yamasaki’s McGregor Conference Center atrium. A DREAM IS A HOUSE brings together sound, light, movement, embodiment, and storytelling together in the cathedral-esque modernism of Yamasaki’s architecture, evoking creative research driven by memory palaces, buildings as bodies, dream scenes, dancing with ghosts, and personal and collective ritual making. – from Vimeo site

My ensemble (EMEWS) and I worked with Biba and her Dance Class to make a site-specific, multi-channel piece over the Winter 2022 semester. The above is an excerpt of a 60-min piece. McGregor Hall’s architecture and acoustics were ideal for music and movement. I am happy about the result. The in-person experience was something unique, but Noah Eliott Morrison‘s team documented the essential experience of the piece in the video. 

Although EMEWS has worked on the piece since March, I started working on it in August 2021. Biba and I spent Fall 2021 trying ideas and finding voices. The video below is a shorter version of A DREAM…  presented at an end-of-semester showcase.

A dream is a house for remembering the future 12.07.21 from Biba bell on Vimeo.

The Fall version’s 15min stereo audio expanded to a 60-min piece for a laptop ensemble and a guitarist, each emitting sounds from a portable amp. The music evolved and adjusted every week as the choreography changed, and the ensemble ended up performing based on the score below.
I think music can have an altered life. I plan to perform an audio-only ensemble version in an upcoming show. Let’s see how it goes. 




Notes and Comments : Remix EP

I write notes and comments in books, journals, and PDFs. Underlines and scribbles of my thoughts do not change the work, but they help me remember what I liked most about the work and the artist. The four tracks in this album are the sonic equivalent of notes and comments. I highlighted the most memorable characteristics while trying my best to preserve the intent of the original piece. The last track is not a remix, but it is my way to document a few good things about the summer of 2020.

The original tracks are

Alex Koi, Last Goodbye (2020)
alexkoi.bandcamp.com/track/last-goodbye

Michael Malis, Imperfect Intervals IX – Gently, Freely (2021)
michaelmalis.bandcamp.com/track/imperfect-intervals-ix-gently-freely

Molly Jones, Solar Wind (2020)
mollyjones.bandcamp.com/track/solar-wind

Jienan Yuan, Invisible Embrace (2021)
youtu.be/7sU4ilzXnmg

* All tracks were used with the permission of the composers/publishers. Profits made from the sale will be distributed to the remixed artists.
* Overall mix of the EP is relatively low and uncompressed for quiet listening.

credits

released February 2, 2022

Molly Jones, Alex Koi, Michael Malis, & Jienan Yuan, composers
Joo Won Park, composer & remixer

Sum and Difference (2021)

Link to Score (Google Doc)

Sum and Difference is a collaborative composition guideline for music technologists. Each member of the ensemble joins in an online meeting platform to process audio files according to the score. The result is new sample-based compositions that share similar characteristics. The pieces are also different due to the variety of the original samples and the ensemble member’s improvised parameter changes.
For participants, Sum and Difference is more about the process of making it than the result. In the pandemic-influenced time, the joy of creating music together, the joy of creating something from nothing in an ensemble, is severely limited. But the current situation forces music technologists to experiment with collaborative methods best suited for online interaction. Sum and Difference works best when each member is on the Internet, physically alienated from the rest of the world.

by Joo Won Park

Performers 

Number of performers: 4-10  

Needed technology

  • A web folder accessible by all performers
  • An audio editor or DAW for each performer

Needed skills

  • Experience and knowledge in digital audio editing and processing
  • Data organization and management skills

Preparation

  1. Make a sharable web folder
  2. Upload recordings of non-musical sound with the file names shown in the score (A0.wav, B0.wav, etc.) 
    • The number of uploaded audio files should equal the number of performers
    • Each audio file should be 2-5 seconds long 
    • Each audio file should be distinct from the others 
  3. Each performer should plan a processing or editing technique to change an audio file
    • Use any DAWs or apps
    • Establish a short and repeatable process. The performer should be able to execute it within 5-10 minutes

Execution

Step 0. Gather using a remote meeting platform such as Zoom or Google Meet. Assign one performer to one Processor. 

Step 1. Download, process, and upload the audio file from the web folder according to the score. 

Each cell in the score has ▼FileName-P-▲FileName.  Here’s an example of how to interpret it

If the cell has ▼A0-P-▲B1

  1. Download file named A0.wav from the web folder
  2. Process the sound according to the plan
  3. Export the sound with file name B1.wav, and upload it to the web folder

Step 2-10. After 10 minutes, repeat the download-process-upload procedure described in Step 1

  1. Vary the processing parameters (i.e., move knobs, use different settings)
  2. Strive to add a few more seconds of sounds
  3. Edit and polish the sound if possible (i.e., delete the silence at the beginning, normalize, etc.)
  4. Be consistent with the file format. Use a format readable by all platforms, such as .wav and .aif

Last Step. Share and listen to the resulting sounds. The number of final tracks should equal the number of performers.

Score by Ensemble Size 

Link to Google Sheet Template 

QuartetStep 0Step 1Step 2Step 3Step 4
Processor 1A0▼A0-P-▲B1▼A1-P-▲B2▼A2-P-▲B3▼A3-P-▲B4
Processor 2B0▼B0-P-▲C1▼B1-P-▲C2▼B2-P-▲C3▼B3-P-▲C4
Processor 3C0▼C0-P-▲D1▼C1-P-▲D2▼C2-P-▲D3▼C3-P-▲D4
Processor 4D0▼D0-P-▲A1▼D1-P-▲A2▼D2-P-▲A3▼D3-P-▲A4
QuintetStep 0Step 1Step 2Step 3Step 4Step 5
Processor 1A0▼A0-P-▲B1▼A1-P-▲B2▼A2-P-▲B3▼A3-P-▲B4▼A4-P-▲B5
Processor 2B0▼B0-P-▲C1▼B1-P-▲C2▼B2-P-▲C3▼B3-P-▲C4▼B4-P-▲C5
Processor 3C0▼C0-P-▲D1▼C1-P-▲D2▼C2-P-▲D3▼C3-P-▲D4▼C4-P-▲D5
Processor 4D0▼D0-P-▲E1▼D1-P-▲E2▼D2-P-▲E3▼D3-P-▲E4▼D4-P-▲E5
Processor 5E0▼E0-P-▲A1▼E1-P-▲A2▼E2-P-▲A3▼E3-P-▲A4▼E4-P-▲A5

Score for larger ensembles are available in the Google Doc Version

Demo/Example

Link to all files made in a 10-piece ensemble version

Made  by Electronic Music Ensemble of Wayne State (EMEWS) on Jan 20, 2021

Matthew Banka, Maxwel Bourgeois, Garrison Briggs, Daniel Kozlowski, Logan Macka, Benjamin Schornack, Alec Segel, Mark Whalen, Daniel Yates, Michael Younger

Compare and listen to the process

J0, A1, B2, C3, D4, E5, F6, G7, H8, I9, J10 (one sample going through ten processes)