Tag Archives: performances

Page Turner’s Agony (2021)

Uncategorized,

A page turner, in my experience, has one of the most stressful musical roles. A single mistake could ruin the concert, but the audience does not recognize the turner’s craftsmanship when the task gets done skillfully. Performing music with a computer shares the same position. A mouse click or fader movement on stage does not get praise since anybody can do it. Yet, electronic musicians practice sequences and combinations of those simple actions to express and share something unique. I hope that this piece shows the possibility of digital virtuosity.

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Aphasia (2009) by Mark Applebaum – performed by Joo Won Park

Influences, Performances, Research, , ,

I got obsessed with Mark Applebaum’s Aphasia (2009) in the past two months. I perform my own music and often improvise, so studying and learning another composer’s piece with a score was challenging. But Applebaum is one of my electroacoustic heroes, and I have wanted to try Aphasia for a decade. After about two months of practice, I think I learned enough to enjoy performing it. Thank you for watching!

Feb-March Tour

Announcement, Collaborators, Performances,

I performed in 5 cities from Feb 25 to Mar 13.

2.25.15 Lyn Goeringer and I performed a duo improvisation at the Oberlin Faculty Concert. It was broadcasted online.
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2.27.15 I did a joint concert with Matthew McCabe at the Columbus State University, GA
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3.6.15 I was the keynote speaker at N_SEME2015. I performed my solo set and take about my experience as a solo electroacoustic musician.
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3.9.15 I performed Toccata for Found Object and Computer at the University of Nebraska at Kearney for is annual New Music Festival. One gas station in Kearney had an interesting offer.
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3.12.15 & 3.13.15 My band I’m With Joo Won performed at Gus’ Cafe in Pittsburgh and Oberlin Playlets. The poster features my hand! More importantly, I shared a stage with improvisational punk band.
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And yesterday, IWJW released the first album under Starry Night Records.

In sum, life is good.

New Solo Set

Performances, ,

I am in the process of making a new solo set. My solo concert in the past two years involved a lot of found objects processed with computer.

Then, I fell in love with no-input mixer and analog synthesizer while I was doing the 100 Strange Sounds project. As I got more acquainted with analog instruments, it felt natural to try a performance involving more circuits and less objects.

The first attempt was done at the Asheville Electro-Music Festival in May 17. The “premiere” was exiting, but also revealed things to improve. Let me share what I observed and learned from the recording made by Project Ruori.

  1. The second half of the performance is better than the first half. Beside the sounds, compare my posture at 4:00 and 14:00. Fourteen minutes is a long time to get into the zone. I need more practice and confidence.
  2. I should use stage monitors in large rooms. For found object performances, I turned off the monitors for feedback issues. I realize that doing the same is not good for this kind of performance. The electronic instruments sounded too far and muffled.
  3. Ditch the speech intro. My intention was to gradually change my speech into music, but it did not work. I tried this in other occasions, but it did not work well, either. As my undergrad teacher advised to me, start the show with music.
  4. The cabbage intro needs more preparations. I was expecting this kind of visual and sound, but the vegetable did not crush well due to the poor choice of the cabbage and limited table space. Perhaps I should cut the cabbage a little bit prior to the performance?
  5. Electronics part could use a better dynamic change. Some transition to softer part sounded as mistakes. Perhaps this problem is related to my observation 1 and 2.
  6.  According to the audiences I talked to, the offstage  melodica ending worked well. I should try to end the set by eating the mutilated cabbage in smaller venues.

Please stay tuned for videos of my future performances. Feel free to comment/mail your suggestion to improve the sound and visuals. I expect to become comfortable with this set by the third or fourth show. I will prepare and practice, but some things are only learned from performing on stage.

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