Category Archives: Performances

Double Decker Music Series

Performances,

I participated in Double Decker Music Series in last September, and it was easily the most fun gig I did in this year. http://www.sebastianpetsu.com/doubledecker/ddms8/

DDMS is organized by Sebastian Petsu and Bowerbird in Philadelphia. According to the website, “the Double Decker Music series is a unique, intimate mobile concert experience on an open-top double-decker bus. It features live performances in an urban setting paired with a guided tour of Philadelphia’s attractions.” In other words, it’s an experimental music show on a tour bus. Imagine that!

I played a 30min set with no-input mixer and custom synth (and no computer!) on a perfect September weather in Philadelphia for my friends and strangers. The tour bus passed by the Eagles stadium, Far-South Philly, and other places that represents an interesting side of the city. In my performance, I interacted with street musicians, police cars, random drunk people, and street lights. At one point, there was a helicopter hovering above the bus, and I played and interacted with one of the most amazing machine sounds.  I was also happy to share the stage with Myrrias, who played beautiful music (I remember their very unique keyboard!). Sebastian was also an excellent tour guide. Take his bus if you want to tour Philadelphia.

I begin to play at around 7:30, but I suggest you to watch the entire video. It’s quite fun.
bus

 

Armor+2 – for clarinet and computer

Compositions, Performances, Research, ,


Required Software and Hardware

  1. Bb clarinet and Bass clarinet : A solo player will switch the instruments during the piece.
  2. Computer : a Macintosh with OS 10.9+ is preferred, but PC should also work.
  3. SuperCollider : this is a free software that runs the computer part.  Download it from HERE if SuperCollider is not installed already
  4. Armor+2.scd file : this is the computer part for the piece. If you don’t have it already, download it from the composer’s website (Here) or contact the composer at https://www.facebook.com/joowonmusic
  5. One Microphone: Close-mic the clarinet. A good condenser microphones is preferred.
  6. Audio Interface: The interface should have at least one microphone inputs and three outputs. The first two outputs send computer part. The third output sends a click track.
  7. Headphone: connect the click track output to the headphone for the performer.
  8. Speakers/PA : Connect the stereo output of the audio interface to the sound reinforcement system.

How to Use Armor+2.scd File

  1. Make sure that your audio interface is set as the default input and output device for the computer.
  2. Open Armor+2.scd in SuperCollider.
  3. Go to Menu-> Language-> Evaluate File.
  4. You will hear measure 1 in few seconds. Press command+period(.) or go to Menu-> Language-> Stop  to stop.
  5. Repeat steps 3-4 to restart.
  6. Do not let the computer go to sleep mode. It may cause a disconnection between the hardware and software.

Performance Instructions

  1. The electronic part should be as loud as the acoustic part. Adjust the gain and/or microphone position accordingly. Most of the computer parts are live-processed or algorithmic. The computer part processes the sound of the ensemble in realtime, and it will sound slightly different in each performance.  It is important to follow the tempo as accurately as possible to be in sync with the computer part.  The click track is not absolutely necessary, but it may assist the performance. The performer should be able to operate the computer part as the computer part requires runs automatically after the first measure.
  2. The click track starts at measure 1 without a count off. Place the bass clarinet near the performance space for a quick switch at measure 68.
  3. The following boxed words notated in the computer part indicate an addition or variation of the computer part: AM, AM2, and FM add harmonic elements. Ticks are short percussive sounds. Stutter imitates a short segment of the performer’s sound. Reverb simulates a room sound. Pad is a long synthesized tone, which can have a smooth or sharp beginning.
  4. There are some extra files in the download site. If the performer wants to practice the piece by sections, use the files in ForPractice folder. Armor+2-ClickOnLeft.scd has the click track on the left channel. If the performer does not want to operate SuperCollider part during the practice, he/she can use the recorded electronics part in ForTapeVersion folder.

Feb-March Tour

Announcement, Collaborators, Performances,

I performed in 5 cities from Feb 25 to Mar 13.

2.25.15 Lyn Goeringer and I performed a duo improvisation at the Oberlin Faculty Concert. It was broadcasted online.
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2.27.15 I did a joint concert with Matthew McCabe at the Columbus State University, GA
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3.6.15 I was the keynote speaker at N_SEME2015. I performed my solo set and take about my experience as a solo electroacoustic musician.
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3.9.15 I performed Toccata for Found Object and Computer at the University of Nebraska at Kearney for is annual New Music Festival. One gas station in Kearney had an interesting offer.
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3.12.15 & 3.13.15 My band I’m With Joo Won performed at Gus’ Cafe in Pittsburgh and Oberlin Playlets. The poster features my hand! More importantly, I shared a stage with improvisational punk band.
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And yesterday, IWJW released the first album under Starry Night Records.

In sum, life is good.

Fall College Tour

Performances, ,

I’ll be performing and lecturing in several universities in november. Most of the events are free and open to public. Please come by and listen to some no-input mixer, found objects, and occasional melodies in A major.

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11/5 : Peabody Institute, Conservatory Building Room 314 @ 6PM

I will be doing a guest lecture at the Composition Seminar. I will be talking about my 100 Strange Sounds Project.

11/6 : University of Virginia, Open Grounds @ 8PM

I’m a featured artist in TechnoSonics XV: Found Sound. I’ll be performing Toccata for found objects and computer. This concert will be live streamed.

11/7: University of Richmond, Camp Concert Hall @ 2:30PM

I will be performing Receding Hairline at the Third Practice Electroacoustic Music Festival. I’m also working as a tech guy, so come by and say hello on either Friday or Saturday.

11/10: Oberlin College, Fairchild Chapel @ 8PM

Oberlin NewMusic and Improvisation Collective (OINC) will be presenting  a concert of free improvisation and John Cage’s number piece. I’m directing the ensemble.

oinc-poster

11/14-5: University of Wisconsin Oshkosh, Music Hall @ 7:30PM

I’ll be a featured composer of the Wired concert series. In addition to the concert, I will be doing a few lectures and workshops.

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Let me know if you have questions or inquires.

Joo Won’s First Recital in Ohio

Announcement, Performances, , ,

FacultyRecital

 

If you are in NE Ohio area,  come to my debut concert at the Oberlin Conservatory. Performance is my best way to say hello to the community.  The concert is free and open to public. I do not know many people around here yet, so please share this information to your Ohio friends who are into experimental/noise/electroacoustic sounds. Or invite your worst enemy.